Life On-Line, 2nd visit, a re-think

I have now been to see the Life On-line exhibition at the Media Museum twice. The first time was to have a look at what it was saying about open source. I looked round the ground floor and the 7th floor and as a result blogged about Open Sauce. I was also putting together a blog about the rest of the Life On-line exhibition where I noticed that I was saying a lot about my understanding of the development of the internet that fitted with what I thought was the brief/blurb I had read about the exhibition. Why did the blurb whet my appetite but the exhibition not seem to fit the blurb? I know I did not look at everything but had I got it so wrong. Apparently I had.

My second visit was for 2 reasons

  1. I was on a quest for a photo that I could put under the heading of Digital for the Hidden Bradford BradfordPhotoADay exercise and
  2. to see whether I was right to write my blog.

I did not take any photos at the Media Museum but on the way in I did take a photo at Forster Square station that I posted for the Bradford Photo a Day. This time I went into the station building to let them know that I would be taking a couple of quick photos and not using a tripod. I thought this best since I had been asked to move on last time I was there. A situation I blogged about.

During my 2nd visit to the Media Museum I spent some time looking at the things I did not read on my first visit. I soon realised that I could delete most, if not all of what I had been writing. So I am now doing this one instead.

How had I managed, on the first visit, to only see the things I was not interested in? There were sections on ArpaNet, TCP/IP, IP addresses, DNS servers, with a graphical game to show how a network can be resilient. Explanations of what issue each new idea was addresssing. Videos done by the people who were involved in, or responsible for, each of the developemnts.

All good stuff.

The bits I was not interested in were the glass floor of hardware and the pile of reducing size/increasing performance modems, but many seemed thrilled to see them.

What I find exciting about the whole history is the way new ideas were tried and made to work. It is more about the people, their ideas and how they got others involved and got them working rather than the hardware that they used to achieve it.

I believe that in many situations the success or failure of whatever is involved is often dependant on the people involved and their ability to communicate. If anyone wants something to be a success the mantra should be communication, communication, communication – with a shed load of persistence (in the communication efforts) thrown in for good measure.

Perhaps I now need to visit the 7th floor again to read some more about open source – but then I might have to withdraw/re-write my Open Sauce blog.

Open sauce

I am a fan of Open Source – I use Ubuntu Linux at home, Open Office, Firefox web browser, Thunderbird email client, I host websites that use MediaWiki, Joomla, WordPress and webtrees all written in PHP that runs on Apache web-servers. I have also written my own applications in PHP and provide access to it free of charge but do charge for support – all in keeping with the Open Source initiative.

On Saturday I went to the Bradford Media Museum to look at the Life Online exhibition. The main reason for going was for the [open source] mentioned in the blurb. After looking round the displays on both the ground floor and the 7th floor I have to admit to being disappointed. Perhaps if I had gone with a different purpose I may have been more open to its other aspects, but I have another blog brewing about that too. To me Open Source has a particular meaning and I feel that the exhibition was dumbing that down and confusing it with collaboration and content management.

An attempt was made to take the two words separately and give a definition which I think was sort of correct but phrases don’t work that way, when you put more than one word together to name something it often tightens the meaning of the individual words. And you also have to take into account the history of the phrase. Then other areas of the exhibition started to confuse things even more.

There were several interactive displays one of which showed collaboration – someone had done a graphic design which had then been translated into small enough steps so that one or more people could reproduce the design using coloured blocks. Those using the blocks did not need to see the overall design nor did they need to know where their work fitted within the progress of it. The fact that you were free to put the blocks anywhere (instead of where instructed) made it open but the same can be said of most collaboration attempts – constraints are needed for it to succeed. For the outcome to be considered a success when there are no constraints then it is probably art you are producing, or anarchy. There are a couple of ways I can link this to computers. One where you take simple building blocks (either electronic components or individual bits of computer code) and build things that can perform incredible tasks. Another where you break a job (software development) down into small manageable tasks/pieces and then put them all together to make something unique.

Another screen tried to explain open source and I was amazed to hear people saying that Facebook and Wikipedia were open source. Facebook is quite definitely not open source, it can only be changed by adding to it. If I add something to Facebook then no one can change what I have put on there. They might be able to force others to put a different interpretation on what I have said by adding their own comments, but my words can not be changed – that is not very open. It is perhaps open in the way a shop can be, but even that is stretching it.

Wikipedia gets a little more interesting in this respect in that if I put anything on there it can be added to or changed by others, and I can change their words, or I can cause the images they uploaded to no longer be displayed and mine to be visible instead. This is collaboration that is made available to anyone who wants to create an account. I have to agree that this fits with a reasonably open definition of open. Wikipedia also keeps a record of all the edits that have been done so that they can be reverted to as required – is that open?

If we now include the word source then we start to look at a whole different area. Source can mean the place where something started so I am not sure how it can be applied to Facebook or Wikipedia but it can refer to the computer program that someone wrote to perform a particular task. Computer programs are written in many different languages and with some of them, when you read through the program, you can often get an idea of what is happening with each section. Before these programs can do anything on the computers they get translated (compiled) into code that the computer can eventually work with. The code that the programmer wrote, before it is compiled, is called the source code. This is the source being referred to in the phrase open source.

Before Bill Gates came along people with computers often had the source code for their operating systems and applications and would tailor them to suit their particular use. They had their own copy of the source code. Usually you were not allowed to pass the source code on to others, it was only open to you.

With Microsoft this changed. Microsoft translated (compiled) their source code to make the files that the computer worked with and it is these files that Microsoft distribute. These files are often called binary files in that they are much closer to the 1s and 0s that the computer works with and are very, very difficult for people to work with and change. To reinforce the idea that you are not supposed to make any changes to Microsoft code you only get a licence to use the software, you never actually own it. This model is quite definitely not open or dealing with source code.

Some people carried on with providing the source code to their customers and some of the licences became more open. You could share your changes with others.

There are several recognised licence agreements with open source. One common licence allows you to get hold of the code and change it but you must not remove any acknowledgements of the people who have worked on it. If you want to make your changes available to others then it must also be under the same licence agreement. You are not allowed to charge for the source code. Though you can charge for the media, packaging, printing or your time working for the purchaser.

Your changes can be supplied in addition to the original source or if your changes are significant you might want to create a separate identifiable product. This splitting off is called a fork. Forks can happen for many reasons.

I don’t know the details of how it evolved, or which applications were the first, but as people made changes to the source code to suit their needs it would have been noticed that others had similar needs and so the changes that had already been made could be incorporated into the original source code, still under the same name, so everyone could benefit. There are many programs where the source code is freely available and, as I have said, people can get hold of it, use it and change it to suit their needs. If the person making the changes is suitably competent and confident they can then contact the group developing the software and let them know about the changes so that they can be incorporated in the original.

Many open source applications have lots of people working on different parts or aspects of the source code and it is possible to get involved. Individuals with particular skills or knowledge can become part of the group and contribute. You don’t even have to be a programmer. Big projects need testers, quality control, co-ordinators, project managers etc. This is when it really becomes Open Source.

The licensing of Open Source can be a mine field to companies that want to make money out of their labours. This is one of the reasons why many keep away from it. Let’s say you are building some software for your product and some of that software is unique to your product. If the source code got into the hands of your competitors you might lose some of your competitive advantage. If, as part of that software, you included some code that was released under one of the open source licences then you may be legally obliged to make your source code available under the same licence. I am trying to work out whether this is restrictive Open Source or open Open Source. You are forced into being open.

I will finish by going back to WikiPedia because another interesting thing about it is that it uses open source software called MediaWiki. Anyone can download the MediaWiki source code and use it to host a wiki of their own. You can make changes to your installation to suit your needs and many of these changes can be achieved with configuration, this has nothing to do with open source. The more adventurous of you can change the underlying code to suit your particular requirements, this is customisation and then falls within open source. You can also contact the group looking after the MediaWiki source code and get involved. Now that’s Open Source.

Perhaps I am missing the message at the Media Museum? There was a section that mentioned providers wanting to charge for content. Open Source works within the laws of copyright as does Open Commons and creators of content are free to choose the framework that they want the content to be available in and this should be considered at the time of creating the content, or at the latest at the time of release.

Feel free to post comments.

 

Move on please, photography not allowed

Well I have read about it in the press but today was the first time that I have been asked to stop taking photos and move on.

On the way into Bradford today I was walking towards Forster Square station when I heard Kestrels calling. Of course I had my binoculars with me, as you do, and used them to find the Kestrels on the building that I think is called Broadgate House. The building is on Manor Row and backs onto the railway line. It is much higher than the station.

The best vantage point was on the end of the platform between two of the lines. It wasn’t until I got home that I noticed that my first few shots had got both the male and female. He is looking straight at me. I had only noticed the female on the end of the hoist.

Male and Female Kestrel

I then noticed the male on the window ledge, obviously after it left the hoist.

Male Kestrel

He then flew off to the roof of the neighbouring building where he landed and then almost immediately took off to swoop on his mate.

Male Kestrel

Where they spent a few seconds mating and calling.

Mating

Mating

So, by being reasonably quick I had got my photos. Just after that though I was asked by a very pleasant chap with a litter picker to stop taking photos and move on. Some person inside the station building had asked him to ask me to move on. Apparently I need permission to be allowed to take photos on the station. Does that mean that people should not take photos of people they are seeing off at the station unless they have permission?

I was told that the management at the Interchange were the ones to ask for permission. After spending a couple of hours taking photos in Citypark (doing what I have since been told is abusing the right to privacy of those out in public) I went to see the station supervisor at the Interchange to ask for permission to take photos on Forster Square station. Apparently he knew someone had been taking photos at the station and I got the impression that he was the one that had said I should be asked to leave.

Unfortunately he said he was unable to give permission, not because permission was not to be granted, but because I needed to ask someone in York. I have her name, phone number and email address so I will be contacting her for the official response.

I was told that I was not allowed to take photos on the station because of where I was. This had me baffled until it was explained that the people responsible for the bombings in London had “come from round here”. He admitted that I was therefore a potential terrorist. But obviously I was more likely to be a potential terrorist because I was acting strangley with a tripod and 500mm telephoto lens pointing up in the sky in full view of drivers, conductors, passengers and members of the public walking through from Forster Square retail park to Bradford.

I was then asked if I knew how to fix printers because the other person in the office was having trouble. Perhaps he thought I had some experience of handling toner cartridges?

Did you know that during a Prince Charles visit by train that many of the surrounding buildings have police in them – so I had better not take photos of buildings?

I tried to find out what basis the refusal had in law and was told that it was on the Northern Rail website and that it was related to security and also preventing the infringement of the right to privacy of people out in public. It would be a lot more logical if the reason was that I was too close to the platform edge and that using a camera makes me more likely to cause an obstruction to passengers. (Edit: I have since read pages from rail companies where they encourage enthusiasts who are extra eyes and ears but lay down rules about photography based on safety – don’t cause obstruction, keep tripods away from platform edge, don’t photograph what might be their security systems e.g. CCTV equipment and no flash. All very sensible.)

During the afternoon I took lots of photos of people out in public and would have been more than happy to delete any if people had asked. The only requests I had were for taking posed photos. This then led to an exchange of email addresses because my camera does not have bluetooth, Wi-Fi or 3G.

In Citypark I met someone I used to work with when I worked at Croft Gear Works No 1 in Thornbury. This would have been before I moved to Croft Gear Works No 2 at Dudley Hill so it would have been in the late 1970s or very early 1980s – that’s too long ago to be able to do the sums.

He told me that he had taken photos at Forster Square station at least twice. Once he was asked to stop taking photos. There were no trains and no passengers but it was still “not allowed”. Someone being near him meant he was unable to continue because he needed to be quiet and still, however he had the photos he needed. Being quiet and still meant that the rats in the pipes under the platform started to venture out to get the scraps of food on the track. Any movement and they disapperaed. The member of staff did not seem interested in what he was taking photos of.

On another occasion he turned up early to get a good vantage point for taking photos of Prince Charles on one of his visits. This time he was told it was ok to take photos as long as he made sure he didn’t get in the way of Price Charles or his entourage.

I have now had a look at the Northern Rail website and searched for “photography”. The only result that is returned is for a photography competition they are running.

Edit: A few informative links
Urban75 on Photographers Rights including at rail and tube stations
A page with a PDF download re: Photographers Rights

I don’t know if it would have been any different if I went into the station building beforehand and let them know what I wanted to do. I might then have missed my opportunity.

If I do want to take photos, other than just point and click, on a station again I will call into the building first and hopefully have a conversation where we are both happy.

Edit 2: April 18. It is now a few weeks later and I have yet to have a response from the people at York. I thought the email I sent was straightforward enough but still no answer. I do know that it arrived successfully because I had an Out of Office response.

Automated shooting

Note that each photo is a link to the flickr stream, except the remote release which is a link to Amazon. 🙂

On Sunday morning I saw a Great Spotted Woodpecker from our bedroom window. Of course, by the time I got downstaires it had gone. I had things to be doing so I set my camera up in the conservatory with the big lens on a tripod and the wireless remote release.

My wireless remote is very similar to this one.

I put two legs of the tripod on the window ledge and one leg on the arm of the sofa. I then zoomed in and focused on an appropriate part of the feeder, switched it to manual focus, and set the interval timer on the remote release. I set it to take one shot every minute for 120 shots and then went to make a coffee. After the coffee I got on with the various things I needed to do.

The camera was happily firing away every minute. Whenever I looked out of the window there was nothing on the feeder so I had no idea if I would finish up with anything worth keeping.

Later on I took everything down and then headed off for a walk along the river and through Denso Marston Nature Reserve. I met several people and one of their first questions was “Have you seen it?” After finding out that they meant the Black Bellied Dipper I tried not to look smug (honest) when I said “Yes. I have seen it. I took some photos of it in October last year.” I then directed them further down the river where I could just pick out the dipper on the other side. I know the photo is a bit (a lot?) dark but lightening it makes a lot of noise on it. Clicking on the image will take you to my flickr photostream.

Black Bellied Dipper, Denso Marston Nature Reserve

After spending a while along the river without a great deal of bird activity I decided to start heading back. However, after watching a Kingfisher fly up river I stopped to take some photos of the river itself. I thought the reflection of the sky in the river looked nice. I took this photo using a Hoya 58mm Circular Polarizing Filter that helps add some contrast to the clouds and changes the reflection on the water.

River Aire, Denso Marston Nature Reserve

Anyway, to cut the story short, I finally got to see the photos taken by the camera in the morning. There were a few blurred photos of a female blackbird on the feeder. As I was going through them – next – delete – next – delete – I almost deleted the one shown below, which would have been a shame because it made it all worthwhile.

Great Spotted Woodpecker, our garden

My camera backpack

When I started off with my Canon 1000D Digital SLR back at Christmas 2009 I bought a small bag that carried the camera, spare battery and lens brush. The following Christmas I got the Canon EF-S 55-250mm lens which still fitted in the bag comfortably.

In 2011 I bought the Sigma 150-500mm lens. For a while I carried this around in the box-like case it came with but this meant that I did not have a way of protecting/carrying it when it was on the camera. I therefore bought a big shoulder bag but I found that this was uncomfortable on long walks even though it had straps to carry it on my back.

I therefore spent a while looking at alternatives and finally bought a Lowepro Flipside 400 AW backpack. I have been very pleased with this but it was a while before I realised that one of the reasons for the waist strap was to allow you to take the straps off your shoulder and swing the bag round to the front, open it and swap lenses etc. without having to take the bag off and put it down somewhere.

I now use it to carry everything other than my second tripod.

The only downside I can think of is that the tripod fits to the front of the bag and the top strap tends to pull it against the bag and squash things up a bit. If the strap is not tight, or if I use only the middle strap then the tripod leans back and spoils the balance when walking. It might be better if the tripod was fitted to the side of the bag so that the weight is closer to your back.

So, either inside this, Lowepro Flipside 400 AW Backpack

or strapped to it, I fit all this –

Camera

replaced with a Canon EOS 7D in 2012

Canon 50mm 1.8 lens

Canon 18-55mm lens

with Hoya 58mm UV Filter fitted to protect the lens.

Canon 55-250mm lens

with Hoya 58mm UV Filter fitted to protect the lens.
and Canon ET-60 Lens Hood
Sigma 150-500mm

This filter is not normally fitted due to increased chance of “banding” on out-of-focus lines. Perhaps this is as a result of going for a cheap one. I may post about this sometime. I have noticed it on many wildlife photos on flickr and it is certainly not limited to this lens. The lens hood is deep enough to protect the lens from accidental touching. Maybe I will get the Sigma 86mm filter sometime.

Polaroid Auto Focus Macro Extension Tubes

Giottos Tripod
fitted with Giottos Ball Head

Gorillapod
with Ball Head
Spudz Lens Cloth

Extreme Pro 8GB SD Card (read this post about the card)

SD card reader

Lens brush

Air Blower

LCD Display Wireless Remote
(mine is not on Amazon now but this looks like an update to it)

Hoya 58mm Circular Polarizing Filter

Spare battery

Spare battery for the remote release transmitter – bog standard AAA batteries.
Spare battery for the remote release receiver

Olympus voice recorder
– to record sighting and shooting notes. I have yet to use it for that purpose. This is a link to a similar one.

Nikon binoculars

Insect Repellent
– essential when out in the evening along river banks.
Self sealing thick plastic food bag to keep the insect repellant in – I don’t want that leaking over any of the contents of the bag or even leaking on to the bag itself.
A litre bottle of water in a side pocket
Tripod seat This is something I only occasionally take with me.
Collins Bird Guide

I have occasioanlly squeezed my ASUS netbook in there too with a length of network cable and a pair of USB to CAT5 adapters that allow me to connect my camera to the netbook via USB but with the wire between them being readily available network cable. I have yet to use this in anger but it does work.